If you’re a hardcore Smashing Pumpkins fan, you know exactly where I got the title of this post. Now, thanks to a bad ass trailer for the new film ‘The Watchmen,’ everyone else knows how awesome it is, too. Yes, haters, we know; Billy’s a fucking genius.
Since I’ve been dragging my feet posting about Adore and Machina, I’ve decided to tackle the B-sides instead. Billy is the master of B-Sides. In fact, he released a whole album of them with Pisces Iscariot. And if you were lucky enough to snap up ‘The Aeroplane Flies High’ box set, you got even more B-Side goodness. Oh, and I did I mention he did some pretty awesome soundtrack work, too?
In no particular order, here are my favorites.
‘Ugly’: This is from the ‘1979′ single. It’s more stripped down, as most of SP’s b-sides are. It’s just Billy and Jimmy so far as I can tell (and really, what else do you need?). There’s also this awesome feedback on the vocal track that makes the whole thing a gritty affair. My favorite line, ‘And I rot in my skin, as a piece of me dies everyday, I know I’m nothing, because I’m ugly.’
‘Last Song’: Billy plays guitar with his dad on this track from the ‘33′ single. Need I say more? OK, I will. The lyrics are beautiful, the piano is fabulous and the guitar is (duh!) exquisite. I’ve bawled my little eyes out to this song on many an occasion. This line in particular: ‘Could you find a way across me, to forgive and forget me, to appease and relent me, to deceive and detect me, to understand and release me, to the dawn, this is the last song.’
‘Mouths of Babes’: Heavy rock flourishes? Why yes, that is The Smashing Pumpkins I know and love. This really should have been on Mellon Collie, but the ‘Zero’ single suffices. I love the lyrics to this one, but especially this: ‘So now I bid farewell, beyond the bounds of Hell, you’ll swear you knew us well, well you can never tell.’ My disillusioned high school self totally got off on that. Oh, and the fuzzy, reverb-laden riff at the end? Orgasmic.
‘Meladori Magpie’: The ‘Tonight, Tonite’ single was full of gems. This one was especially awesome. Acoustic and almost folksy, it was a real departure from everything they’d put out thus far. Billy pulls out his trademark snarling vocal inflection that still, more than a decade later, gets me every. time. ‘I can’t help but stay the same, I remain true to the name of lovers past, good enough to lose, good enough to choose you too,‘ is my favorite line.
‘Clones (We’re All)’: From the ‘Bullet with Butterfly Wings’ single, I’m 99% sure this is a cover, but I can’t remember right offhand who it is originally. I love it though. It’s nice to see the band having a little fun. ‘We’re all clones, all are one and one are all,’ is completely singable. Try it! You’ll like it!
‘Aeroplane Flies High (Turns Left, Looks Right)’: This is from ‘33′. It’s beautiful, dark and complex and FUCKING AMAZING. The interplay of the drums and the guitar is a beautiful, beautiful thing. Yeah, and it’s like eight and a half minutes long. Billy’s lyrics deal a lot with the concept of disconnection, which is something I’ve always dealt with and this song takes that concept a step further. Example: ‘I’m disconnected by your smile, disconnect a million miles, what you promised me, I hope will set you free, I’m disconnected by your smile.’ The little voice interludes are fucking awesome. My favorite: ‘I used to be afraid to die, now I think I’m more afraid to live.‘ Oh, and because I’m a nerd, he mentions black wings a lot in the song, Davey Havok has black wings tattooed on his back. Coincidence?
‘Drown’: I got this from the Greatest Hits album, but I’m pretty sure it was originally on the soundtrack for Singles. This was from the Siamese Dream era. It’s a lovely little song. Billy sounds so, so young here. It’s full that delightful little hum that permeates a lot of the guitar work from Siamese Dream. This always manages to cheer me up. My favorite line: ‘I wish I wish, I could fly, I wish I wish, I could lie, I will I will, try, I will I will, Goodbye.’ I kinda want that inscribed on my tombstone when the time comes. Yes, I am fucking morbid; shut up.
‘Rotten Apples’: Another acoustic number from ‘Tonight, tonight.’ Billy’s trademark snarly rasp is on full display. How I love it so. This is quite a bit darker than ‘Meladori Magpie,’ but lyrically pretty similar. My favorite line: ‘Life just fades away, purity just begs, dust to dust we’re wired into the sadness.’
‘Eye’: Oooo, Lost Highway soundtrack. So much awesome came from this album. Nine Inch Nails, David Bowie and Marilyn Manson all put on quite a show. My little Goth heart goes pitter patter. This was harbinger of the more electronic sounding Pumpkins. It was dark, smooth and sexy. Favorite line: ‘Is it any wonder I can’t sleep, all I have is all you gave to me, is it any wonder I found peace through you, turn to the gates of heaven, to myself be damned, turn away from eye.’ Oh and let’s not forget, ‘It’s not enough, just a touch.’
‘Hello Kitty Kat’: This is from Pisces Iscariot, which is technically an album, but mostly a throw-together of unreleased material, therefore I feel safe putting it here. So there! Everything about this makes me happy. I had lyrics from this scrawled all over dozens of notebooks. Again with the fuzzy, reverb-laden guitar work. It’s tough to pick a favorite lyric from the whole thing, so I’ll pick the ones I know for a fact I had written on my Spanish notebook: ‘Slit my wrist and die a whore, love to love to love what you adore, I can give you anything, but please let me, be your everything,’ ‘Yea yeah, you know I hate to say, I know, I always stay, I don’t wanna be like the others please, who’s sorry now, who’s sorry now, if I show you how, will you let me down, will you let me down, please let me down’ and ‘My love is weakness, my love is oh so wrong, my love is sadness, my love is oh so strong, my teeth are razor sharp, my love is fucking strong, I’ll be with you, but not for long.’
‘Marquis in Spades’: The ‘Zero’ single strikes again! It starts off with a loud hum and then ‘Fucker.’ YES! ‘Hey yea, was I good enough to break you?’ *giggle* ‘We know who you are and where you live, is your innocence all that you can give?’ *SQUEEEE!!* OK, I’m done. It’s heavy, it’s snarling and it’s angry. It’s fucking rock. That is all.
‘Transformer’: I’m certain that I’m one of very few people who really like this cut from ‘33.’ I don’t know why, but I love it. Oh, wait, I think I know why: ‘She’s tired, and she’s sick, of the same old shit, just more of the same old same old.’ Yup, that could be why. Oh, and this: ‘She’s not sorry, she’s happy, sorry, she’s happy.’
‘The End is the Beginning is the End’: Oh Batman & Robin, I had so much hope for you. But then, well, let’s just say the codpiece and the molded-plastic nipples were more than I could stand. This song, as well as several others off the soundtrack, was fabulous. The lyric that sang to my little Goth girl heart: ‘Is it bright where you are, have the people changed, does it make you happy, you’re so strange.’
‘The Beginning is the End is the Beginning’: Confused yet? Same soundtrack, similar lyrics, COMPLETELY different song. Heavy and throbbing, this was used in the aforementioned Watchmen trailer. It sounds like the background to some crazy, post-Apocalyptic freakness. Did I mention I’ll have its babies? Some lyrical goodness for ya: ‘Delivered from the blast, last of a line of a lasts, the pale princess of a palace cracked, and now the kingdom comes, crashing down unknown, and I am master of a nothing place, of recoil and grace.’
‘Jupiter’s Lament’: I think they just slapped all the acoustic stuff on ‘Tonight Tonight’ and called it a day. Fine by me, I love it. This is only a guitar and Billy singing. That’s it. Trust me, it’s all you really need. I always kinda wanted to name a future child Jupiter after this song. But that would be just cruel. Favorite line: ‘And I’m lost without you, and I’m lost within you, and I’m gone, so gone, long gone.’
‘Landslide’: Oh holy Jesus, I love this one. Thank the gods for ‘Pisces.’ This is the far superior cover, so suck on it Dixie Chicks. Anyway, this mom’s and my song, if only for this lyric: ‘Well I’ve been afraid of changing, because I built my life around you, and time makes you bolder, even children get older, and I’m getting older, too.’
‘Medellia of the Gray Skies’: You know how I mentioned some songs that if someone sings them to me or puts them on a mix tape, I’m theirs forever? This is another one of those songs. This gorgeous little song is tucked away on the ‘Tonight Tonight’ single. So much goodness came from that. ‘You’re all I notice, in a crowded room, you’re vacant motives, unmoved, revealed.’ *swoon*
‘Tonite Reprise’: The acoustic version of the song that saved my life. Greatness! It’s rawness fits perfectly with the grandiosity of the original. So fucking beautiful. ‘As the wind-up toys wind down, muffling the sound, of a life hidden underground,’ still makes me a little misty-eyed. ‘Believe in me like I believe in you, tonight.’ Indeed.
Unfortunately, I don’t have many B-sides from Adore or Machina, but if you’ve got some suggestions, let’s hear ‘em!





